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Not Just Music Podcast Episode 69 ft Duan & Q
Not Just Music Podcast Episode 69 ft Duan & Q "90's Influen…
Who was your biggest influence in the 90's? We have an episode full of urban influencers who carved the way. There are so many to choose fr…
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Nov. 17, 2023

Not Just Music Podcast Episode 69 ft Duan & Q "90's Influence"

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Not Just Music Podcast

Who was your biggest influence in the 90's? We have an episode full of urban influencers who carved the way. There are so many to choose from but for now. Let's get into this episode. Via history.com, the 1990s is often remembered as a decade of relative peace and prosperity: The Soviet Union fell, ending the decades-long Cold War, and the rise of the Internet ushered in a radical new era of communication, business and entertainment. We feel this is so correct. Though there were some very ugly moments that stick with the era.

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https://www.notjustmusicpodcast.com

 

Transcript

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Yo Q what up?

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Man I'm keeping it real what up Duan?

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Welcome

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to not

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just music

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where we keep it real

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and honest

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always

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what's

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going on

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people?

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What's going on people?

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It's your boy Dwayne Barrino

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from Not Just Music Podcast

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I got my boy Quincy Murdock in the building

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and we are here

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another Thursday 8 o'clock pm

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how's it going?

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Hey trying to stay warm man but we good

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we here. Getting kinda cold out here

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the weather changing man

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seasons are changing

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weather is changing

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so

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we don't have

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a whole lot of new

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things saying that we are at the end of a year

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saying the new year is basically right around

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the corner

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a lot to come I know

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basically

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it's really gold season for everybody

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because it's about to be the first quarter

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again and a lot of us

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especially music

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oriented

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sports oriented people

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or even crafty

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oriented people are pretty busy

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entertainment period really

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pretty busy around this time of the year

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saying that with the quarter

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with the quarter about to turn again

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so

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myself I know I have been

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super busy

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for months now even

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post

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of everything that I've already

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had already done

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but as far as like

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pre is part of what I've already

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done now I'm in the post part of everything

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what I've been trying to get to for

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pretty much considerably

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a good while a few months now

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but I finally got a chance to get there

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especially like with

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releasing music I haven't released

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music in years

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actual product of actually

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saying I'm gonna actually do something and put it out

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I'm actually putting something out officially

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this Friday

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again

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I put something out two weeks ago

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just kind of be sprinkling things month by

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month

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as the time goes on

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as the year goes on I might even get two songs

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off a month if I can

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but I got a lot of songs I got a lot of music I can work

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on right now so

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that's really a focal point

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of things that I've been trying to like really get to

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speaking of music

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question in here and I have

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over the past

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30 years of music

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things have really changed

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especially

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as far as

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saying creativity level

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of artists you may have

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rappers you've had singers you've had

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a lot of different people come into

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the mix of things now

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as

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like I said as the past

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30 years goes along so I'm gonna ask a good question

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coming through the 90s era of music

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who considerably had

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who do you feel

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first off

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give me a top five artist

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of the 90s

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if those that's out there

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give me a top five artist

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of the 90s if you're that old

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if you're not that old

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understand this

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I'm coming give me a minute I'm getting to you

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era of the 90s

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80s babies 90s babies considerably

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some 90s babies if you weren't too

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early or too late in the 90s

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who is your favorite

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artist top five artist

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why you're doing it

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give me a top five artist

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of the 90s

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who do you feel

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artist of the 90s

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R&B whatever

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whatever flavor whatever vibe

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you tell me

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so it can be R&B hip hop it can be

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whatever genre

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can it be groups

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yeah man I gotta put

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Drew Hill up there

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gotta put

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Jodeci

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I gotta put Tupac

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of course when he was

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90s

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let me see

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DMX

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and R Kelly

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R Kelly

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so I'm gonna give my

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90s I'm going to

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say

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I'm gonna say Boyz II

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I'm gonna say

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I'm gonna say

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I'm gonna say

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Tony

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Tony Tony

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I'm gonna say

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it's two right there

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I see what you did you going against the

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Fugees

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I'm gonna say

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Influential

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Lil Jon

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he was 90s

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yup

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and I'm gonna also

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say

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hmm

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that's a good one

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I'm gonna say

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ooh

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that's a hard one

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I'm gonna say a five

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R Kelly was running it man

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yeah

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uh

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I'm going off

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of Influential for me

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so I'm gonna say

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I'm gonna say

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who am I going to say for this

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5th spot

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I didn't say Pop

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I didn't say Pop but I'm gonna tell you why

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I didn't say Pop

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I'm gonna go with my 5th

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spot

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this is gonna be a different one

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I'm gonna say

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I'm gonna say

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you tricked up on your own question man

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we go on to the females

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it's a female in my mind

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I'm thinking

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but I don't want to say her

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because I'm speaking

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Influential

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uh

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this is a hard one

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I'm not gonna say Lil' Kim

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I'm gonna say

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Queen Latifah

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hmm

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give me your reason why you said Jo-5

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okay

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Jodeci

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man I just love

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they came out with a new

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vibe

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style

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they were very influential

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the way they dress

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the way they sing, mixed it all together

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you know like the style

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everything we never seen

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nothing like that really as a group

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they could sing

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so I think they was real influential

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you wouldn't

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even just categorize them

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in R&B like you could think of them

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like a hip hopish R&B

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like all genres

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you know what I'm saying

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like so that's like they was very influential

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and then also Drew Hill

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cause they influenced them

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so we talking about influencing

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they influenced Drew Hill

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Cisco you know all the members

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so um

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and they influenced me with their music

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that's why I picked Drew Hill

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DMX was

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different man people forget his impact

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he had after Tupac

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had died you know hip hop was

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kinda gone at the biggie

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and Tupac

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and I think DMX still then

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was that big face that replaced hip hop

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at that moment my opinion

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um and Tupac

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of course man cause a revolutionary

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what he still for

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um like how could you not

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you know what I'm saying pop was bigger than just music

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you know what I'm saying that's why I picked him

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and um

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R Kelly man because

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the king of R&B man

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like you know all the

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chart the top hits he got

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you know what I'm saying you can't stop it you can't

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ain't no debating you know what I'm saying so

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I'll start with mine

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so Queen Latif I'm gonna say well I'm gonna start

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from there the reason why I say Queen

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because Queen took a different

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angle

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more so than a lot of hip hop

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individuals

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at that time she was taking more of

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a

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seat to how things

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how like how you would do things she was looking at

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not just being just a rapper

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she was trying to be more than just a rapper

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so she had

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the trifecta situation in

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a sense it wasn't per se

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that it was more dance but it was more

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of she had that hustles mentality

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to be a director or

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be a owner or be the boss of something

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and

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to me as a female

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in the 90's

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especially which was

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a male driven industry at that time

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I mean she

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put a very big footprint in

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the sand for women

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she was in juice

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so a lot of

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females mimicked

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theirself after her

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coming out of the 90's

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due to that boss

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that ownership that she took

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towards being you know who she is

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I feel

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I feel sometimes

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it's going to get

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under looked though

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like I said due to

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the males

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ok now let's move on to the reason why I said

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male wise

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Tony Tony Tony

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the reason why I said Tony Tony Tony because

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to me

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in my era of listening to music

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influential wise

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as far as my opinion goes

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they had a very different angle

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to the way they created music

291
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reasons of

292
00:10:32,000 --> 00:10:34,000
80's 70's adding that

293
00:10:34,000 --> 00:10:36,000
70's 80's vibes to like

294
00:10:36,000 --> 00:10:38,000
the 90's turned R&B

295
00:10:38,000 --> 00:10:40,000
in a sense

296
00:10:40,000 --> 00:10:42,000
to a direction of so contemporary

297
00:10:42,000 --> 00:10:44,000
that a lot of

298
00:10:44,000 --> 00:10:46,000
outsiders could not

299
00:10:46,000 --> 00:10:48,000
keep up with that style that they

300
00:10:48,000 --> 00:10:50,000
were doing it's not a thing to say it was

301
00:10:50,000 --> 00:10:52,000
bad because the 90's everybody

302
00:10:52,000 --> 00:10:54,000
was different nobody really was trying to make the same

303
00:10:54,000 --> 00:10:56,000
exact music like it is

304
00:10:56,000 --> 00:10:58,000
currently

305
00:10:58,000 --> 00:11:00,000
so you had people like Tony Tony Tony

306
00:11:00,000 --> 00:11:02,000
came along they was doing music that was like

307
00:11:02,000 --> 00:11:04,000
nothing like I said nothing

308
00:11:04,000 --> 00:11:06,000
against any R&B

309
00:11:06,000 --> 00:11:08,000
straight up R&B I love R&B all types

310
00:11:08,000 --> 00:11:10,000
of R&B but their R&B

311
00:11:10,000 --> 00:11:12,000
was very distinct

312
00:11:12,000 --> 00:11:14,000
due to I think just being

313
00:11:14,000 --> 00:11:16,000
Tony was a writer

314
00:11:16,000 --> 00:11:18,000
put out music in the sense of

315
00:11:18,000 --> 00:11:20,000
in that direction

316
00:11:22,000 --> 00:11:24,000
another one I said was

317
00:11:24,000 --> 00:11:26,000
Boys to Men

318
00:11:26,000 --> 00:11:28,000
Boys to Men to me was like

319
00:11:28,000 --> 00:11:30,000
science

320
00:11:30,000 --> 00:11:32,000
of what

321
00:11:32,000 --> 00:11:34,000
good

322
00:11:34,000 --> 00:11:36,000
singing could be

323
00:11:36,000 --> 00:11:38,000
due to how they proved themselves

324
00:11:38,000 --> 00:11:40,000
acapella wise

325
00:11:40,000 --> 00:11:42,000
was impeccable firstly

326
00:11:42,000 --> 00:11:44,000
due to

327
00:11:44,000 --> 00:11:46,000
you had Mike from New Edition

328
00:11:46,000 --> 00:11:48,000
discovering in the sense of

329
00:11:48,000 --> 00:11:50,000
how they

330
00:11:50,000 --> 00:11:52,000
how he heard them

331
00:11:52,000 --> 00:11:54,000
is the exact same way we

332
00:11:54,000 --> 00:11:56,000
put them in the same way

333
00:11:56,000 --> 00:11:58,000
I mean it was their acapella

334
00:11:58,000 --> 00:12:00,000
driven voices that made

335
00:12:00,000 --> 00:12:02,000
them who they are

336
00:12:02,000 --> 00:12:04,000
so if you added that to the sense

337
00:12:04,000 --> 00:12:06,000
of saying great you rarely

338
00:12:06,000 --> 00:12:08,000
heard anybody in the

339
00:12:08,000 --> 00:12:10,000
90's that could sing

340
00:12:10,000 --> 00:12:12,000
acapella and be known for it

341
00:12:12,000 --> 00:12:14,000
for it just you know for it

342
00:12:14,000 --> 00:12:16,000
being there other than involved

343
00:12:16,000 --> 00:12:18,000
never gonna get it

344
00:12:18,000 --> 00:12:20,000
but other than that

345
00:12:20,000 --> 00:12:22,000
they were the ones who created that line of

346
00:12:22,000 --> 00:12:24,000
saying ok

347
00:12:24,000 --> 00:12:26,000
all these dudes in my school

348
00:12:26,000 --> 00:12:28,000
wanted to be Boys to Men

349
00:12:28,000 --> 00:12:30,000
they wanted to go do Boys to Men

350
00:12:30,000 --> 00:12:32,000
songs as a group on stage

351
00:12:32,000 --> 00:12:34,000
that's who they

352
00:12:34,000 --> 00:12:36,000
everybody wanted to be there even though a lot of y'all

353
00:12:36,000 --> 00:12:38,000
couldn't sing just being honest with y'all

354
00:12:38,000 --> 00:12:40,000
all of my

355
00:12:40,000 --> 00:12:42,000
States for Old people

356
00:12:42,000 --> 00:12:44,000
none of y'all really could sing

357
00:12:44,000 --> 00:12:46,000
honestly man that's crazy you said the 90's

358
00:12:46,000 --> 00:12:48,000
y'all had a very

359
00:12:48,000 --> 00:12:50,000
strange run with the Boys to

360
00:12:50,000 --> 00:12:52,000
Men era but

361
00:12:52,000 --> 00:12:54,000
who else

362
00:12:54,000 --> 00:12:56,000
I said Tony

363
00:12:56,000 --> 00:12:58,000
Lil Jon

364
00:12:58,000 --> 00:13:00,000
we gotta say Lil Jon just because of the case of

365
00:13:00,000 --> 00:13:02,000
what Lil Jon introduced

366
00:13:02,000 --> 00:13:04,000
man you know what

367
00:13:04,000 --> 00:13:06,000
when you say Lil Jon

368
00:13:06,000 --> 00:13:08,000
I gotta throw in

369
00:13:08,000 --> 00:13:10,000
Uncle Luke

370
00:13:10,000 --> 00:13:12,000
Uncle Luke

371
00:13:12,000 --> 00:13:14,000
he was very influential

372
00:13:14,000 --> 00:13:16,000
the way that he

373
00:13:16,000 --> 00:13:18,000
the way these rappers rap now

374
00:13:18,000 --> 00:13:20,000
it wouldn't be none of that if it wasn't for

375
00:13:20,000 --> 00:13:22,000
Uncle Luke taking the stance

376
00:13:22,000 --> 00:13:24,000
and fighting the censorship

377
00:13:24,000 --> 00:13:26,000
and all that so

378
00:13:26,000 --> 00:13:28,000
my bad cutting it but when you say Lil Jon

379
00:13:28,000 --> 00:13:30,000
you think of Luke

380
00:13:30,000 --> 00:13:32,000
you feel me like all those

381
00:13:32,000 --> 00:13:34,000
pit bulls

382
00:13:34,000 --> 00:13:36,000
I'ma tell you why I say Lil Jon

383
00:13:36,000 --> 00:13:38,000
you're right though to the sense of

384
00:13:38,000 --> 00:13:40,000
he kept a certain level of

385
00:13:40,000 --> 00:13:42,000
that

386
00:13:42,000 --> 00:13:44,000
that meet between

387
00:13:44,000 --> 00:13:46,000
music, females and

388
00:13:46,000 --> 00:13:48,000
together

389
00:13:48,000 --> 00:13:50,000
the case of why I say

390
00:13:50,000 --> 00:13:52,000
Jon was because

391
00:13:52,000 --> 00:13:54,000
Lil Jon introduced something

392
00:13:54,000 --> 00:13:56,000
that nobody

393
00:13:56,000 --> 00:13:58,000
the turn on the music

394
00:13:58,000 --> 00:14:00,000
that he did was

395
00:14:00,000 --> 00:14:02,000
so influential that it changed

396
00:14:02,000 --> 00:14:04,000
the whole face of music

397
00:14:04,000 --> 00:14:06,000
to the point where

398
00:14:06,000 --> 00:14:08,000
Trap

399
00:14:08,000 --> 00:14:10,000
kinda introduced itself

400
00:14:10,000 --> 00:14:12,000
outside of Jon

401
00:14:12,000 --> 00:14:14,000
while Jon was hot

402
00:14:14,000 --> 00:14:16,000
Jon brought all his attention

403
00:14:16,000 --> 00:14:18,000
back to Atlanta

404
00:14:18,000 --> 00:14:20,000
the attention was away from Atlanta for the time

405
00:14:20,000 --> 00:14:22,000
due to how

406
00:14:22,000 --> 00:14:24,000
R&B music was moving

407
00:14:24,000 --> 00:14:26,000
you had people from everywhere

408
00:14:26,000 --> 00:14:28,000
you didn't have a whole lot of people in Atlanta doing R&B

409
00:14:28,000 --> 00:14:30,000
at that time

410
00:14:30,000 --> 00:14:32,000
but when Jon came back

411
00:14:32,000 --> 00:14:34,000
introduced himself on the scene

412
00:14:34,000 --> 00:14:36,000
these people, they didn't know how to

413
00:14:36,000 --> 00:14:38,000
take that

414
00:14:38,000 --> 00:14:40,000
nobody did because it was so out of the box

415
00:14:40,000 --> 00:14:42,000
yeah you had people like

416
00:14:42,000 --> 00:14:44,000
yeah you're right

417
00:14:44,000 --> 00:14:46,000
but it's like Jon gave it

418
00:14:46,000 --> 00:14:48,000
he kinda took it away from

419
00:14:48,000 --> 00:14:50,000
the aspects of saying

420
00:14:50,000 --> 00:14:52,000
regular music and called it

421
00:14:52,000 --> 00:14:54,000
crump

422
00:14:54,000 --> 00:14:56,000
when he put that edge on it

423
00:14:56,000 --> 00:14:58,000
it made the music really edgy

424
00:14:58,000 --> 00:15:00,000
really catchy

425
00:15:00,000 --> 00:15:02,000
and everybody was catching on to it

426
00:15:02,000 --> 00:15:04,000
black and white

427
00:15:04,000 --> 00:15:06,000
everybody, even the world period

428
00:15:06,000 --> 00:15:08,000
now

429
00:15:08,000 --> 00:15:10,000
considerably

430
00:15:10,000 --> 00:15:12,000
the one person

431
00:15:12,000 --> 00:15:14,000
I was thinking about

432
00:15:14,000 --> 00:15:16,000
when we started saying it

433
00:15:16,000 --> 00:15:18,000
yeah R. Kelly

434
00:15:18,000 --> 00:15:20,000
one because R. Kelly was

435
00:15:20,000 --> 00:15:22,000
considerably

436
00:15:22,000 --> 00:15:24,000
the smokey

437
00:15:24,000 --> 00:15:26,000
of our time

438
00:15:26,000 --> 00:15:28,000
in a sense because smokey

439
00:15:28,000 --> 00:15:30,000
was the same type of dude

440
00:15:30,000 --> 00:15:32,000
Kells was because he wanted to write

441
00:15:32,000 --> 00:15:34,000
and he wanted to sing

442
00:15:34,000 --> 00:15:36,000
and he could introduce you a hit record

443
00:15:36,000 --> 00:15:38,000
at the same time

444
00:15:38,000 --> 00:15:40,000
consistently

445
00:15:40,000 --> 00:15:42,000
like Kells was

446
00:15:42,000 --> 00:15:44,000
in the 90s

447
00:15:44,000 --> 00:15:46,000
again you had people

448
00:15:46,000 --> 00:15:48,000
like that and then I have honorable mentions too

449
00:15:48,000 --> 00:15:50,000
I had a whole lot of honorable mentions

450
00:15:50,000 --> 00:15:52,000
but considerably I wanted to

451
00:15:52,000 --> 00:15:54,000
go for the ones that again you

452
00:15:54,000 --> 00:15:56,000
you have a sense

453
00:15:56,000 --> 00:15:58,000
of R&B

454
00:15:58,000 --> 00:16:00,000
influential

455
00:16:00,000 --> 00:16:02,000
ship to what you say

456
00:16:02,000 --> 00:16:04,000
so with your 90s

457
00:16:04,000 --> 00:16:06,000
influential ship being in an R&B

458
00:16:06,000 --> 00:16:08,000
more so in an R&B

459
00:16:08,000 --> 00:16:10,000
window do you feel

460
00:16:10,000 --> 00:16:12,000
hip hop affected

461
00:16:12,000 --> 00:16:14,000
or do you feel

462
00:16:14,000 --> 00:16:16,000
R&B affected

463
00:16:16,000 --> 00:16:18,000
the sense of moving from the 90s

464
00:16:18,000 --> 00:16:20,000
into 2000

465
00:16:20,000 --> 00:16:22,000
I think

466
00:16:22,000 --> 00:16:24,000
moving into the 2000s

467
00:16:24,000 --> 00:16:26,000
I think hip hop

468
00:16:26,000 --> 00:16:28,000
took over

469
00:16:28,000 --> 00:16:30,000
yeah hip hop took over

470
00:16:30,000 --> 00:16:32,000
that's when we had 50 cent

471
00:16:32,000 --> 00:16:34,000
Nelly's

472
00:16:34,000 --> 00:16:36,000
the Nelly's came

473
00:16:36,000 --> 00:16:38,000
out in the late 90s

474
00:16:38,000 --> 00:16:40,000
mid 90s but when they

475
00:16:40,000 --> 00:16:42,000
started popping like

476
00:16:42,000 --> 00:16:44,000
the 2000s the Bow Wows

477
00:16:44,000 --> 00:16:46,000
this is my generation

478
00:16:46,000 --> 00:16:48,000
the Bow Wows, Lil Romeo's

479
00:16:48,000 --> 00:16:50,000
most of them

480
00:16:50,000 --> 00:16:52,000
was rappers

481
00:16:52,000 --> 00:16:54,000
B2K's

482
00:16:54,000 --> 00:16:56,000
and the thing of it is even the

483
00:16:56,000 --> 00:16:58,000
singing groups had rappers in them

484
00:16:58,000 --> 00:17:00,000
they always needed a rapper

485
00:17:00,000 --> 00:17:02,000
in it to make it click

486
00:17:02,000 --> 00:17:04,000
so rap was big

487
00:17:04,000 --> 00:17:06,000
in the 2000s

488
00:17:06,000 --> 00:17:08,000
so you think about it

489
00:17:08,000 --> 00:17:10,000
anything that was out

490
00:17:10,000 --> 00:17:12,000
it had hip hop rapping on it

491
00:17:12,000 --> 00:17:14,000
so I think rap

492
00:17:14,000 --> 00:17:16,000
took over in the 2000s

493
00:17:16,000 --> 00:17:18,000
more yeah

494
00:17:18,000 --> 00:17:20,000
in the sense of

495
00:17:20,000 --> 00:17:22,000
that's why I feel

496
00:17:22,000 --> 00:17:24,000
that the 2000

497
00:17:24,000 --> 00:17:26,000
era

498
00:17:26,000 --> 00:17:28,000
changed a whole lot

499
00:17:28,000 --> 00:17:30,000
I tried to look at it as like this

500
00:17:30,000 --> 00:17:32,000
how many people did you see

501
00:17:32,000 --> 00:17:34,000
come out in 2000

502
00:17:34,000 --> 00:17:36,000
era

503
00:17:36,000 --> 00:17:38,000
just let you say 2000

504
00:17:38,000 --> 00:17:40,000
to 2015 that weren't

505
00:17:40,000 --> 00:17:42,000
in the lines of saying

506
00:17:42,000 --> 00:17:44,000
hip hop

507
00:17:44,000 --> 00:17:46,000
even if it was a singer that was introduced

508
00:17:46,000 --> 00:17:48,000
the singer had to have some type of

509
00:17:48,000 --> 00:17:50,000
hip hop vibe

510
00:17:50,000 --> 00:17:52,000
because if it didn't

511
00:17:52,000 --> 00:17:54,000
it wouldn't be an effective

512
00:17:54,000 --> 00:17:56,000
sale

513
00:17:56,000 --> 00:17:58,000
the one person I do feel

514
00:17:58,000 --> 00:18:00,000
that took it on

515
00:18:00,000 --> 00:18:02,000
and understood it most because

516
00:18:02,000 --> 00:18:04,000
well one is because of the timing

517
00:18:04,000 --> 00:18:06,000
R Kelly used to rap

518
00:18:06,000 --> 00:18:08,000
he did rap

519
00:18:08,000 --> 00:18:10,000
parts in his songs

520
00:18:10,000 --> 00:18:12,000
but you think about it even the songs

521
00:18:12,000 --> 00:18:14,000
of the 90s if you didn't have a

522
00:18:14,000 --> 00:18:16,000
rapper in your R&B

523
00:18:16,000 --> 00:18:18,000
your breakdown

524
00:18:18,000 --> 00:18:20,000
if your breakdown didn't have a dance

525
00:18:20,000 --> 00:18:22,000
or if it didn't have a rapper in it

526
00:18:22,000 --> 00:18:24,000
it considerably wasn't

527
00:18:24,000 --> 00:18:26,000
considered a hit

528
00:18:26,000 --> 00:18:28,000
it was probably Brown

529
00:18:28,000 --> 00:18:30,000
look at New Edition

530
00:18:30,000 --> 00:18:32,000
New Edition

531
00:18:32,000 --> 00:18:34,000
even when BBD came

532
00:18:34,000 --> 00:18:36,000
a thing

533
00:18:36,000 --> 00:18:38,000
y'all playing games on me trying to tell me how my life is

534
00:18:38,000 --> 00:18:40,000
as opposed to you know how it was

535
00:18:40,000 --> 00:18:42,000
single rappers

536
00:18:42,000 --> 00:18:44,000
it just didn't catch

537
00:18:44,000 --> 00:18:46,000
as a big thing

538
00:18:46,000 --> 00:18:48,000
until the late

539
00:18:48,000 --> 00:18:50,000
of getting ready to go into

540
00:18:50,000 --> 00:18:52,000
20 teens

541
00:18:52,000 --> 00:18:54,000
so even you got

542
00:18:54,000 --> 00:18:56,000
somebody that came out in 20 teens

543
00:18:56,000 --> 00:18:58,000
were more so

544
00:18:58,000 --> 00:19:00,000
rapper singer

545
00:19:00,000 --> 00:19:02,000
but

546
00:19:02,000 --> 00:19:04,000
do you think like cause you know most of these people

547
00:19:04,000 --> 00:19:06,000
had writers so you think

548
00:19:06,000 --> 00:19:08,000
they knew this was gonna happen cause

549
00:19:08,000 --> 00:19:10,000
of course they was writing these songs so

550
00:19:10,000 --> 00:19:12,000
they must have seen something

551
00:19:12,000 --> 00:19:14,000
you know what I'm saying

552
00:19:14,000 --> 00:19:16,000
I think most of the writers

553
00:19:16,000 --> 00:19:18,000
were becoming obsolete

554
00:19:18,000 --> 00:19:20,000
in a sense too

555
00:19:20,000 --> 00:19:22,000
cause you take people like R Kelly people don't need people like R Kelly

556
00:19:22,000 --> 00:19:24,000
R Kelly isn't

557
00:19:24,000 --> 00:19:26,000
he can give himself hits

558
00:19:26,000 --> 00:19:28,000
it'll be a thing of

559
00:19:28,000 --> 00:19:30,000
because

560
00:19:30,000 --> 00:19:32,000
nobody of this era

561
00:19:32,000 --> 00:19:34,000
will understand the type of music

562
00:19:34,000 --> 00:19:36,000
that R Kelly was putting out

563
00:19:36,000 --> 00:19:38,000
cause to be able to put out an R Kelly song

564
00:19:38,000 --> 00:19:40,000
I mean to put out that music

565
00:19:40,000 --> 00:19:42,000
you gotta know what you're doing

566
00:19:42,000 --> 00:19:44,000
you have to know because there's a certain way that you have to sing

567
00:19:44,000 --> 00:19:46,000
those type of songs that R Kelly

568
00:19:46,000 --> 00:19:48,000
was giving people

569
00:19:48,000 --> 00:19:50,000
you gotta love it

570
00:19:50,000 --> 00:19:52,000
it sells

571
00:19:52,000 --> 00:19:54,000
it sells differently

572
00:19:54,000 --> 00:19:56,000
when you hear it coming from

573
00:19:56,000 --> 00:19:58,000
like you listen to somebody

574
00:19:58,000 --> 00:20:00,000
like Diddy album right

575
00:20:00,000 --> 00:20:02,000
the love album

576
00:20:02,000 --> 00:20:04,000
I ain't even checked it I gotta check that out though

577
00:20:04,000 --> 00:20:06,000
no you listen to it

578
00:20:06,000 --> 00:20:08,000
it's R&B driven

579
00:20:08,000 --> 00:20:10,000
it's like he took you all the way back to the 90s

580
00:20:10,000 --> 00:20:12,000
and gave you a

581
00:20:12,000 --> 00:20:14,000
a strain of 90s

582
00:20:14,000 --> 00:20:16,000
mixed with

583
00:20:16,000 --> 00:20:18,000
that early 2000 vibe

584
00:20:18,000 --> 00:20:20,000
and made it

585
00:20:20,000 --> 00:20:22,000
very common to today's ears

586
00:20:22,000 --> 00:20:24,000
right so

587
00:20:24,000 --> 00:20:26,000
most of the people that

588
00:20:26,000 --> 00:20:28,000
are out right now

589
00:20:28,000 --> 00:20:30,000
you know

590
00:20:30,000 --> 00:20:32,000
as we've talked about before that R&B

591
00:20:32,000 --> 00:20:34,000
vibe is coming back right

592
00:20:34,000 --> 00:20:36,000
so do you

593
00:20:36,000 --> 00:20:38,000
think that the R&B vibes

594
00:20:38,000 --> 00:20:40,000
that are out

595
00:20:40,000 --> 00:20:42,000
now and I'm gonna be honest with you

596
00:20:42,000 --> 00:20:44,000
I'm gonna go ahead and tell you

597
00:20:44,000 --> 00:20:46,000
the R&B vibes that's coming out now

598
00:20:46,000 --> 00:20:48,000
are starting to remind me of the 90s

599
00:20:50,000 --> 00:20:52,000
one person I give

600
00:20:52,000 --> 00:20:54,000
is Coco Jones right

601
00:20:54,000 --> 00:20:56,000
she's the type of singer that

602
00:20:56,000 --> 00:20:58,000
it gives you

603
00:20:58,000 --> 00:21:00,000
that chill

604
00:21:00,000 --> 00:21:02,000
that feeling of emotion

605
00:21:02,000 --> 00:21:04,000
that people use to display

606
00:21:04,000 --> 00:21:06,000
in their music in the 90s which is what Diddy

607
00:21:06,000 --> 00:21:08,000
is very big on because

608
00:21:08,000 --> 00:21:10,000
Diddy understands

609
00:21:10,000 --> 00:21:12,000
selling music

610
00:21:12,000 --> 00:21:14,000
I don't care what nobody say about that

611
00:21:14,000 --> 00:21:16,000
Diddy know how to make

612
00:21:16,000 --> 00:21:18,000
when he puts music out

613
00:21:18,000 --> 00:21:20,000
he puts music out in the sense of

614
00:21:20,000 --> 00:21:22,000
he knows

615
00:21:22,000 --> 00:21:24,000
how to sell that

616
00:21:24,000 --> 00:21:26,000
artist that's on the mic or

617
00:21:26,000 --> 00:21:28,000
giving presenting it right

618
00:21:28,000 --> 00:21:30,000
so if you look at all of the people he got on

619
00:21:30,000 --> 00:21:32,000
his album when you get a second to listen to it

620
00:21:32,000 --> 00:21:34,000
look at those people then the names that

621
00:21:34,000 --> 00:21:36,000
he chose to choose even go and look at the

622
00:21:36,000 --> 00:21:38,000
production that he chose I seen a couple on the weekend

623
00:21:40,000 --> 00:21:42,000
who else

624
00:21:42,000 --> 00:21:44,000
he had some heavy hitters on there

625
00:21:44,000 --> 00:21:46,000
he even got Justin Bieber

626
00:21:46,000 --> 00:21:48,000
he even got

627
00:21:48,000 --> 00:21:50,000
Jaquice on there

628
00:21:50,000 --> 00:21:52,000
he got

629
00:21:52,000 --> 00:21:54,000
name all of the R&B singers that's basically

630
00:21:54,000 --> 00:21:56,000
been good over the past 15 years

631
00:21:56,000 --> 00:21:58,000
I know he brought KC back on there

632
00:21:58,000 --> 00:22:00,000
they did a remake

633
00:22:00,000 --> 00:22:02,000
he even took

634
00:22:02,000 --> 00:22:04,000
he went back

635
00:22:04,000 --> 00:22:06,000
he's getting vibes

636
00:22:06,000 --> 00:22:08,000
he even got vibes from

637
00:22:08,000 --> 00:22:10,000
Rance 1500

638
00:22:12,000 --> 00:22:14,000
he even coming all the way to Atlanta

639
00:22:14,000 --> 00:22:16,000
getting R&B vibes from over here

640
00:22:16,000 --> 00:22:18,000
brother

641
00:22:18,000 --> 00:22:20,000
they talk so bad about Diddy

642
00:22:20,000 --> 00:22:22,000
but people still work with

643
00:22:22,000 --> 00:22:24,000
this man so obviously

644
00:22:24,000 --> 00:22:26,000
it's something like I said they see the good

645
00:22:26,000 --> 00:22:28,000
all the good stuff that he brings

646
00:22:28,000 --> 00:22:30,000
you know what I'm saying

647
00:22:30,000 --> 00:22:32,000
say what you want about him man he talented

648
00:22:32,000 --> 00:22:34,000
he knows the music

649
00:22:34,000 --> 00:22:36,000
who else would you want to

650
00:22:36,000 --> 00:22:38,000
put your hands in the music with

651
00:22:38,000 --> 00:22:40,000
somebody that's great

652
00:22:40,000 --> 00:22:42,000
or somebody that's mediocre

653
00:22:42,000 --> 00:22:44,000
and I'm not even speaking of just Diddy

654
00:22:44,000 --> 00:22:46,000
there are a lot of cats out here who are on that

655
00:22:46,000 --> 00:22:48,000
Diddy level who have that Diddy ear

656
00:22:48,000 --> 00:22:50,000
that Diddy mentality

657
00:22:50,000 --> 00:22:52,000
that just don't have the Diddy platform

658
00:22:52,000 --> 00:22:54,000
it's rare that certain people get that platform

659
00:22:54,000 --> 00:22:56,000
because it's hard to get that platform

660
00:22:56,000 --> 00:22:58,000
it's a

661
00:22:58,000 --> 00:23:00,000
thing of knowing who

662
00:23:00,000 --> 00:23:02,000
at that time in that era that Diddy had

663
00:23:02,000 --> 00:23:04,000
people coming in he was putting

664
00:23:04,000 --> 00:23:06,000
them out in the sense of due to

665
00:23:06,000 --> 00:23:08,000
what Bad Boy was

666
00:23:08,000 --> 00:23:10,000
and I think now is even since

667
00:23:10,000 --> 00:23:12,000
then that's the case

668
00:23:12,000 --> 00:23:14,000
like you look at all the people that Diddy

669
00:23:14,000 --> 00:23:16,000
have worked with over the years

670
00:23:16,000 --> 00:23:18,000
tell me who haven't

671
00:23:18,000 --> 00:23:20,000
he touched that didn't want to

672
00:23:20,000 --> 00:23:22,000
work with him anybody

673
00:23:22,000 --> 00:23:24,000
that's anybody know like

674
00:23:24,000 --> 00:23:26,000
oh we got Diddy man shoot

675
00:23:26,000 --> 00:23:28,000
we got Diddy oh shoot we going to work with Diddy

676
00:23:28,000 --> 00:23:30,000
ain't too many people who turn down

677
00:23:30,000 --> 00:23:32,000
a Diddy situation

678
00:23:32,000 --> 00:23:34,000
just due to the case of they know that

679
00:23:34,000 --> 00:23:36,000
with Diddy you can win

680
00:23:36,000 --> 00:23:38,000
but that's what you have to do

681
00:23:38,000 --> 00:23:40,000
as

682
00:23:40,000 --> 00:23:42,000
especially 2023

683
00:23:42,000 --> 00:23:44,000
going into 2024 and this is

684
00:23:44,000 --> 00:23:46,000
why I've basically been talking about this whole music

685
00:23:46,000 --> 00:23:48,000
situation

686
00:23:48,000 --> 00:23:50,000
because

687
00:23:50,000 --> 00:23:52,000
it's a new era it's a new thing coming

688
00:23:52,000 --> 00:23:54,000
as we've been trying to do

689
00:23:54,000 --> 00:23:56,000
move forward

690
00:23:56,000 --> 00:23:58,000
we've done 2023

691
00:23:58,000 --> 00:24:00,000
2023 is at an end now

692
00:24:00,000 --> 00:24:02,000
and you tell me

693
00:24:02,000 --> 00:24:04,000
even so

694
00:24:04,000 --> 00:24:06,000
more so now

695
00:24:06,000 --> 00:24:08,000
you have

696
00:24:08,000 --> 00:24:10,000
one situation

697
00:24:10,000 --> 00:24:12,000
where you're working

698
00:24:12,000 --> 00:24:14,000
more so with doing other stuff

699
00:24:14,000 --> 00:24:16,000
as far as like

700
00:24:16,000 --> 00:24:18,000
the movie done

701
00:24:18,000 --> 00:24:20,000
the movie thing is only going to be a thing of

702
00:24:20,000 --> 00:24:22,000
your side ship

703
00:24:22,000 --> 00:24:24,000
and you have music

704
00:24:24,000 --> 00:24:26,000
music considerably that's your side ship too

705
00:24:26,000 --> 00:24:28,000
acting that's another thing

706
00:24:28,000 --> 00:24:30,000
you taking on another thing

707
00:24:30,000 --> 00:24:32,000
you're going to try and do

708
00:24:32,000 --> 00:24:34,000
acting period not even just on a

709
00:24:34,000 --> 00:24:36,000
movie screen even on a live

710
00:24:36,000 --> 00:24:38,000
or even a live platform as if

711
00:24:38,000 --> 00:24:40,000
in I call it Tyler Perry

712
00:24:40,000 --> 00:24:42,000
driven atmosphere

713
00:24:42,000 --> 00:24:44,000
you know the stage is a very

714
00:24:44,000 --> 00:24:46,000
different thing

715
00:24:46,000 --> 00:24:48,000
the reason why I say the stage is a very different thing

716
00:24:48,000 --> 00:24:50,000
is due to one

717
00:24:50,000 --> 00:24:52,000
I know about the stage because I've

718
00:24:52,000 --> 00:24:54,000
just been on so many stages

719
00:24:54,000 --> 00:24:56,000
dealing with music or dealing with

720
00:24:56,000 --> 00:24:58,000
anything something dealing towards

721
00:24:58,000 --> 00:25:00,000
music or maybe not even just music even the plays

722
00:25:00,000 --> 00:25:02,000
of the situation even when I was doing the plays

723
00:25:02,000 --> 00:25:04,000
I was doing stuff more just more so

724
00:25:04,000 --> 00:25:06,000
sitting behind a mixing board

725
00:25:06,000 --> 00:25:08,000
mics are on and you know cues

726
00:25:08,000 --> 00:25:10,000
are on and hanging

727
00:25:10,000 --> 00:25:12,000
lights and building sets and all that

728
00:25:12,000 --> 00:25:14,000
stuff but in the case of right

729
00:25:14,000 --> 00:25:16,000
this is what I learned from doing that

730
00:25:16,000 --> 00:25:18,000
all of that stuff

731
00:25:18,000 --> 00:25:20,000
it takes away a stage fright

732
00:25:20,000 --> 00:25:22,000
each time you get on the stage right

733
00:25:22,000 --> 00:25:24,000
I love it

734
00:25:24,000 --> 00:25:26,000
it's like performing

735
00:25:26,000 --> 00:25:28,000
the liveliness of it is what makes

736
00:25:28,000 --> 00:25:30,000
the stage fright go away

737
00:25:30,000 --> 00:25:32,000
because the adrenaline

738
00:25:32,000 --> 00:25:34,000
it's that one time you have that moment

739
00:25:34,000 --> 00:25:36,000
if you mess up the moment

740
00:25:36,000 --> 00:25:38,000
it's in history books as that

741
00:25:38,000 --> 00:25:40,000
moment right so you tell me

742
00:25:40,000 --> 00:25:42,000
this right

743
00:25:42,000 --> 00:25:46,000
as much as the artistry

744
00:25:46,000 --> 00:25:48,000
that you put in

745
00:25:48,000 --> 00:25:50,000
time into

746
00:25:50,000 --> 00:25:52,000
creating do you feel

747
00:25:52,000 --> 00:25:54,000
that the next 15 years

748
00:25:54,000 --> 00:25:56,000
of you

749
00:25:56,000 --> 00:25:58,000
moving forward

750
00:25:58,000 --> 00:26:00,000
do you feel

751
00:26:00,000 --> 00:26:02,000
that the mentality

752
00:26:02,000 --> 00:26:04,000
of being better and getting

753
00:26:04,000 --> 00:26:06,000
better at being on stages

754
00:26:06,000 --> 00:26:08,000
is going to push you

755
00:26:08,000 --> 00:26:10,000
into different

756
00:26:10,000 --> 00:26:12,000
things yeah

757
00:26:12,000 --> 00:26:14,000
and I'm not even saying you don't even

758
00:26:14,000 --> 00:26:16,000
have to tell me what it is or seeing

759
00:26:16,000 --> 00:26:18,000
what you're going to be or do

760
00:26:18,000 --> 00:26:20,000
it may not even be movies

761
00:26:20,000 --> 00:26:22,000
in the next 15 years

762
00:26:22,000 --> 00:26:24,000
it may be something totally different right

763
00:26:24,000 --> 00:26:26,000
so

764
00:26:26,000 --> 00:26:28,000
once you've reached that master

765
00:26:28,000 --> 00:26:30,000
level of as I said

766
00:26:30,000 --> 00:26:32,000
liveliness meaning being on stage

767
00:26:32,000 --> 00:26:34,000
what do you feel

768
00:26:34,000 --> 00:26:36,000
that stage

769
00:26:36,000 --> 00:26:38,000
presents to you

770
00:26:38,000 --> 00:26:40,000
each time you get on it

771
00:26:40,000 --> 00:26:42,000
like what do you feel

772
00:26:42,000 --> 00:26:44,000
today is

773
00:26:44,000 --> 00:26:46,000
I got one song

774
00:26:46,000 --> 00:26:48,000
right you got this

775
00:26:48,000 --> 00:26:50,000
one song you're going to pick your best song you're going to go on the

776
00:26:50,000 --> 00:26:52,000
stage and kill it in your mentality

777
00:26:52,000 --> 00:26:54,000
right that's basically what I'm doing

778
00:26:54,000 --> 00:26:56,000
with the stage play

779
00:26:56,000 --> 00:26:58,000
coming up

780
00:26:58,000 --> 00:27:00,000
sorry to cut in but

781
00:27:00,000 --> 00:27:02,000
what I see it

782
00:27:02,000 --> 00:27:04,000
as and I think what this

783
00:27:04,000 --> 00:27:06,000
is the stage thing is

784
00:27:06,000 --> 00:27:08,000
what I've been doing bit

785
00:27:08,000 --> 00:27:10,000
by bit from music to acting to

786
00:27:10,000 --> 00:27:12,000
everything that I've been

787
00:27:12,000 --> 00:27:14,000
doing is like a collective and that's what

788
00:27:14,000 --> 00:27:16,000
I want to bring to the stage like

789
00:27:16,000 --> 00:27:18,000
a collective of acting

790
00:27:18,000 --> 00:27:20,000
performing you know I'm saying

791
00:27:20,000 --> 00:27:22,000
even dancing

792
00:27:22,000 --> 00:27:24,000
I'm getting better with my

793
00:27:24,000 --> 00:27:26,000
dancing we going over dancing routines

794
00:27:26,000 --> 00:27:28,000
and you know

795
00:27:28,000 --> 00:27:30,000
what I'm saying like you know

796
00:27:30,000 --> 00:27:32,000
but this is the crazy thing though I've

797
00:27:32,000 --> 00:27:34,000
always had rhythm but I

798
00:27:34,000 --> 00:27:36,000
wasn't really into the learning

799
00:27:36,000 --> 00:27:38,000
the routines and dancing but I always

800
00:27:38,000 --> 00:27:40,000
felt like I could do it

801
00:27:40,000 --> 00:27:42,000
but me running into the right

802
00:27:42,000 --> 00:27:44,000
connects like with dancer dancers

803
00:27:44,000 --> 00:27:46,000
what's helping me like these

804
00:27:46,000 --> 00:27:48,000
dudes dance you know what I'm saying

805
00:27:48,000 --> 00:27:50,000
like they dancers connections

806
00:27:50,000 --> 00:27:52,000
they connections so

807
00:27:52,000 --> 00:27:54,000
it's helping me better with my dancing

808
00:27:54,000 --> 00:27:56,000
you know what I'm saying I'm getting more

809
00:27:56,000 --> 00:27:58,000
in tune and confident with myself

810
00:27:58,000 --> 00:28:00,000
you know so

811
00:28:00,000 --> 00:28:02,000
bro that's just how it is like I

812
00:28:02,000 --> 00:28:04,000
told you like I wanted to do movies when I

813
00:28:04,000 --> 00:28:06,000
was doing music now I want to add

814
00:28:06,000 --> 00:28:08,000
dancing to my resume you know what I'm saying

815
00:28:08,000 --> 00:28:10,000
like I never stop wanting to learn

816
00:28:10,000 --> 00:28:12,000
something new you know so

817
00:28:12,000 --> 00:28:14,000
if

818
00:28:14,000 --> 00:28:16,000
the next

819
00:28:16,000 --> 00:28:18,000
time you might see me out there dancing

820
00:28:18,000 --> 00:28:20,000
on my shoulder and that's a good

821
00:28:20,000 --> 00:28:22,000
thing because it's not for

822
00:28:22,000 --> 00:28:24,000
it's not for your

823
00:28:24,000 --> 00:28:26,000
wrong

824
00:28:26,000 --> 00:28:28,000
doings it's for your better doings you

825
00:28:28,000 --> 00:28:30,000
gonna get better when you do it you know

826
00:28:30,000 --> 00:28:32,000
if you ain't gonna do

827
00:28:32,000 --> 00:28:34,000
if you're not doing it and doing

828
00:28:34,000 --> 00:28:36,000
it consistently and trying to get

829
00:28:36,000 --> 00:28:38,000
better at it you won't it's hard

830
00:28:38,000 --> 00:28:40,000
to reach that and especially

831
00:28:40,000 --> 00:28:42,000
the platform that you have now

832
00:28:42,000 --> 00:28:44,000
is not saying that you're supposed

833
00:28:44,000 --> 00:28:46,000
to see like the

834
00:28:46,000 --> 00:28:48,000
greatest grandest things

835
00:28:48,000 --> 00:28:50,000
quickly you know it's

836
00:28:50,000 --> 00:28:52,000
gonna take time to get yourself

837
00:28:52,000 --> 00:28:54,000
acclimated to just different stages

838
00:28:54,000 --> 00:28:56,000
and people to see you

839
00:28:56,000 --> 00:28:58,000
in the time frame of

840
00:28:58,000 --> 00:29:00,000
saying that oh I have

841
00:29:00,000 --> 00:29:02,000
three years to

842
00:29:02,000 --> 00:29:04,000
accomplish something yeah you do have

843
00:29:04,000 --> 00:29:06,000
whatever time frame that is

844
00:29:06,000 --> 00:29:08,000
one thing I still see though

845
00:29:08,000 --> 00:29:10,000
that is very open

846
00:29:10,000 --> 00:29:12,000
to a circle of people that

847
00:29:12,000 --> 00:29:14,000
you're around is you have

848
00:29:14,000 --> 00:29:16,000
a lot of actors

849
00:29:16,000 --> 00:29:18,000
yes you have a lot of

850
00:29:18,000 --> 00:29:20,000
people who are willing

851
00:29:20,000 --> 00:29:22,000
to work and maybe

852
00:29:22,000 --> 00:29:24,000
not even just work a doubt

853
00:29:24,000 --> 00:29:26,000
to the atmosphere

854
00:29:26,000 --> 00:29:28,000
because the more people that

855
00:29:28,000 --> 00:29:30,000
is tied into one atmosphere

856
00:29:30,000 --> 00:29:32,000
especially in the

857
00:29:32,000 --> 00:29:34,000
world of acting that

858
00:29:34,000 --> 00:29:36,000
helps your

859
00:29:36,000 --> 00:29:38,000
your visual sense

860
00:29:38,000 --> 00:29:40,000
meaning if you choose to do a movie

861
00:29:40,000 --> 00:29:42,000
again you have a handful of people

862
00:29:42,000 --> 00:29:44,000
or tens of hands

863
00:29:44,000 --> 00:29:46,000
or a few hands of people

864
00:29:46,000 --> 00:29:48,000
that you can pick from yeah

865
00:29:48,000 --> 00:29:50,000
do you think

866
00:29:50,000 --> 00:29:52,000
that that's going to be

867
00:29:52,000 --> 00:29:54,000
a help moving into the next

868
00:29:54,000 --> 00:29:56,000
movie yeah do you think that's gonna be

869
00:29:56,000 --> 00:29:58,000
a help also with

870
00:29:58,000 --> 00:30:00,000
saying this too

871
00:30:00,000 --> 00:30:02,000
because you think about it like this you

872
00:30:02,000 --> 00:30:04,000
can mix the movie situation

873
00:30:04,000 --> 00:30:06,000
or the acting situation

874
00:30:06,000 --> 00:30:08,000
in with music

875
00:30:10,000 --> 00:30:12,000
that's what I'm saying bro

876
00:30:12,000 --> 00:30:14,000
bro the cast

877
00:30:14,000 --> 00:30:16,000
that I got now I got a whole

878
00:30:16,000 --> 00:30:18,000
the people that I'm with on this stage

879
00:30:18,000 --> 00:30:20,000
play I got a whole movie cast

880
00:30:20,000 --> 00:30:22,000
right there I could

881
00:30:22,000 --> 00:30:24,000
shoot another sequel to Quincy

882
00:30:24,000 --> 00:30:26,000
Murdaugh the movie I could do a dance

883
00:30:26,000 --> 00:30:28,000
movie you got sir type movie

884
00:30:28,000 --> 00:30:30,000
I could do a music type

885
00:30:30,000 --> 00:30:32,000
you know what I'm saying I'm giving out ideas

886
00:30:32,000 --> 00:30:34,000
but yeah I ain't hear that but

887
00:30:34,000 --> 00:30:36,000
I got so many ways I can go

888
00:30:36,000 --> 00:30:38,000
with this you know what I'm saying like so

889
00:30:38,000 --> 00:30:40,000
many ways and

890
00:30:40,000 --> 00:30:42,000
shout out to my boy Byron

891
00:30:42,000 --> 00:30:44,000
he was at my movie premiere

892
00:30:44,000 --> 00:30:46,000
he connected me into

893
00:30:46,000 --> 00:30:48,000
this you know what I'm saying the stage play

894
00:30:48,000 --> 00:30:50,000
introduced me to some good people

895
00:30:50,000 --> 00:30:52,000
so shout out to him and

896
00:30:52,000 --> 00:30:54,000
you know what I'm saying cause he said God talked to him

897
00:30:54,000 --> 00:30:56,000
and he sent him to me he sent

898
00:30:56,000 --> 00:30:58,000
me to him like you know

899
00:30:58,000 --> 00:31:00,000
he did one of our shows he was there

900
00:31:00,000 --> 00:31:02,000
recording

901
00:31:02,000 --> 00:31:04,000
at the cookout you know show that you was at

902
00:31:04,000 --> 00:31:06,000
that day and

903
00:31:06,000 --> 00:31:08,000
he just remembered me you know what I'm saying

904
00:31:08,000 --> 00:31:10,000
and he was like man he

905
00:31:10,000 --> 00:31:12,000
shut down his social media for a year

906
00:31:12,000 --> 00:31:14,000
cut all this and he said he just had

907
00:31:14,000 --> 00:31:16,000
to get it all right and he said my name

908
00:31:16,000 --> 00:31:18,000
came up in his head and it's

909
00:31:18,000 --> 00:31:20,000
crazy all this happened when the movie

910
00:31:20,000 --> 00:31:22,000
came and stuff like that

911
00:31:22,000 --> 00:31:24,000
so I mean I thank God for

912
00:31:24,000 --> 00:31:26,000
the connections the connection

913
00:31:26,000 --> 00:31:28,000
and

914
00:31:28,000 --> 00:31:30,000
connections you know what I'm saying

915
00:31:30,000 --> 00:31:32,000
so

916
00:31:32,000 --> 00:31:34,000
if nothing else

917
00:31:34,000 --> 00:31:36,000
what

918
00:31:36,000 --> 00:31:38,000
in closing

919
00:31:38,000 --> 00:31:40,000
how is it that

920
00:31:40,000 --> 00:31:42,000
next

921
00:31:42,000 --> 00:31:44,000
your

922
00:31:44,000 --> 00:31:46,000
next idea

923
00:31:46,000 --> 00:31:48,000
especially coming

924
00:31:48,000 --> 00:31:50,000
from the 90's

925
00:31:50,000 --> 00:31:52,000
to 2000

926
00:31:52,000 --> 00:31:54,000
the 20 teens

927
00:31:54,000 --> 00:31:56,000
and now we're in the 2020's

928
00:31:56,000 --> 00:31:58,000
what is

929
00:31:58,000 --> 00:32:00,000
what is one

930
00:32:00,000 --> 00:32:02,000
element that you feel

931
00:32:02,000 --> 00:32:04,000
is your biggest element

932
00:32:04,000 --> 00:32:06,000
to add to what you got going

933
00:32:06,000 --> 00:32:08,000
on right now what was the best

934
00:32:08,000 --> 00:32:10,000
what's the best one that keeps

935
00:32:10,000 --> 00:32:12,000
you motivated all these years

936
00:32:12,000 --> 00:32:14,000
of living which one is the best

937
00:32:16,000 --> 00:32:18,000
oh man

938
00:32:18,000 --> 00:32:20,000
I can't go

939
00:32:20,000 --> 00:32:22,000
without listening to music I just like

940
00:32:22,000 --> 00:32:24,000
listening to music without even how I ain't doing

941
00:32:24,000 --> 00:32:26,000
it you know what I'm saying

942
00:32:26,000 --> 00:32:28,000
so that's a love

943
00:32:28,000 --> 00:32:30,000
that's a love of music man

944
00:32:30,000 --> 00:32:32,000
even if I'm not making music

945
00:32:32,000 --> 00:32:34,000
I love listening to music so that's

946
00:32:34,000 --> 00:32:36,000
love for it you know what I'm saying

947
00:32:36,000 --> 00:32:38,000
so just as Q says y'all

948
00:32:38,000 --> 00:32:40,000
this is the thing for me music is

949
00:32:40,000 --> 00:32:42,000
always going to be one of those top

950
00:32:42,000 --> 00:32:44,000
things for me as well I mean it's not like

951
00:32:44,000 --> 00:32:46,000
I've always dealt with music

952
00:32:46,000 --> 00:32:48,000
so I don't ever really like get

953
00:32:48,000 --> 00:32:50,000
tired of music music is always there I always

954
00:32:50,000 --> 00:32:52,000
have to deal with music it doesn't matter what

955
00:32:52,000 --> 00:32:54,000
case of it's church

956
00:32:54,000 --> 00:32:56,000
well if it's outside of church I'm always

957
00:32:56,000 --> 00:32:58,000
having to deal with music so considerably

958
00:32:58,000 --> 00:33:00,000
if nothing else

959
00:33:00,000 --> 00:33:02,000
I think that's in about a

960
00:33:02,000 --> 00:33:04,000
good 75 to 80 percent of the people's

961
00:33:04,000 --> 00:33:06,000
heart music yeah I mean

962
00:33:06,000 --> 00:33:08,000
so moving

963
00:33:08,000 --> 00:33:10,000
moving into

964
00:33:10,000 --> 00:33:12,000
2024 again as I said

965
00:33:12,000 --> 00:33:14,000
those music heads that

966
00:33:14,000 --> 00:33:16,000
us creatives

967
00:33:16,000 --> 00:33:18,000
just remember it's time

968
00:33:18,000 --> 00:33:20,000
to stop being

969
00:33:20,000 --> 00:33:22,000
slow

970
00:33:22,000 --> 00:33:24,000
don't be in the stop seat no more

971
00:33:24,000 --> 00:33:26,000
get out of that stop seat going into 2024

972
00:33:26,000 --> 00:33:28,000
go to the studio

973
00:33:28,000 --> 00:33:30,000
never not go to your computer open your

974
00:33:30,000 --> 00:33:32,000
computer cut your computer on pull up them files

975
00:33:32,000 --> 00:33:34,000
that you ain't finished yet and finish

976
00:33:34,000 --> 00:33:36,000
them things it's time straight up

977
00:33:36,000 --> 00:33:38,000
because we are in an era where

978
00:33:38,000 --> 00:33:40,000
things are about to start to slowly change

979
00:33:40,000 --> 00:33:42,000
especially in the digital music world

980
00:33:42,000 --> 00:33:44,000
so be sure to get your music out there

981
00:33:44,000 --> 00:33:46,000
before things start to change again

982
00:33:46,000 --> 00:33:48,000
Spotify is already about

983
00:33:48,000 --> 00:33:50,000
to put a curve ball going into the top

984
00:33:50,000 --> 00:33:52,000
of 2024 so just know

985
00:33:52,000 --> 00:33:54,000
knowing that

986
00:33:54,000 --> 00:33:56,000
you have to hit a certain threshold to be

987
00:33:56,000 --> 00:33:58,000
able to be paid considerably

988
00:33:58,000 --> 00:34:00,000
from your music think about that

989
00:34:00,000 --> 00:34:02,000
considerably Spotify is trying to put a

990
00:34:02,000 --> 00:34:04,000
distribution choke hold on

991
00:34:04,000 --> 00:34:06,000
things as far as independent artists go

992
00:34:06,000 --> 00:34:08,000
and independent artists if you don't hit

993
00:34:08,000 --> 00:34:10,000
that certain threshold they're not going to pay

994
00:34:10,000 --> 00:34:12,000
you out any kind of money until you hit that

995
00:34:12,000 --> 00:34:14,000
threshold so just remember

996
00:34:14,000 --> 00:34:16,000
get in while the getting is smooth

997
00:34:16,000 --> 00:34:18,000
and remember to stay motivated

998
00:34:18,000 --> 00:34:20,000
I'm not saying that to discourage you or anything

999
00:34:20,000 --> 00:34:22,000
because Spotify is only just one network

1000
00:34:22,000 --> 00:34:24,000
you can distribute your music

1001
00:34:24,000 --> 00:34:26,000
how you feel you can independently distribute

1002
00:34:26,000 --> 00:34:28,000
it really just by yourself you don't need

1003
00:34:28,000 --> 00:34:30,000
a platform on a website if the music is

1004
00:34:30,000 --> 00:34:32,000
popping share the music get the music

1005
00:34:32,000 --> 00:34:34,000
out there to the right people the right hands again

1006
00:34:34,000 --> 00:34:36,000
it could be your day

1007
00:34:36,000 --> 00:34:38,000
it's a small percentage that it can happen

1008
00:34:38,000 --> 00:34:40,000
but if you have a dream

1009
00:34:40,000 --> 00:34:42,000
it's not about being the number one

1010
00:34:42,000 --> 00:34:44,000
if you want the number one you can be the number one

1011
00:34:44,000 --> 00:34:46,000
don't get me wrong but just remember

1012
00:34:46,000 --> 00:34:48,000
2024

1013
00:34:48,000 --> 00:34:50,000
move make the move

1014
00:34:50,000 --> 00:34:52,000
even if it's movies too whatever acting or

1015
00:34:52,000 --> 00:34:54,000
whatever thing you choose to do but at

1016
00:34:54,000 --> 00:34:56,000
the end of the day the music heads

1017
00:34:56,000 --> 00:34:58,000
the music creators let's do this it's time

1018
00:34:58,000 --> 00:35:00,000
to take flight with it

1019
00:35:00,000 --> 00:35:02,000
anything else you want to say bruh

1020
00:35:02,000 --> 00:35:04,000
Nah just chase your dreams

1021
00:35:04,000 --> 00:35:06,000
man 2024 man chase them

1022
00:35:06,000 --> 00:35:08,000
don't make no excuses and you know

1023
00:35:08,000 --> 00:35:10,000
get it man

1024
00:35:10,000 --> 00:35:12,000
don't sky's the limit you feel me

1025
00:35:12,000 --> 00:35:14,000
yeah all right y'all

1026
00:35:14,000 --> 00:35:16,000
again it's another Thursday

1027
00:35:16,000 --> 00:35:18,000
love y'all we love y'all

1028
00:35:18,000 --> 00:35:20,000
remember to keep

1029
00:35:20,000 --> 00:35:22,000
Not Just Music Podcast in your prayers again we're

1030
00:35:22,000 --> 00:35:24,000
at the end of the year man there's

1031
00:35:24,000 --> 00:35:26,000
nothing else to take in you know

1032
00:35:26,000 --> 00:35:28,000
it's not about donations right now it's about making

1033
00:35:28,000 --> 00:35:30,000
your life take care of everything

1034
00:35:30,000 --> 00:35:32,000
in your life that you need to keep yourself

1035
00:35:32,000 --> 00:35:34,000
and to keep yourself happy motivated and going

1036
00:35:34,000 --> 00:35:36,000
all right again Not Just Music Podcast

1037
00:35:36,000 --> 00:35:38,000
I'm your boy the one Bruno

1038
00:35:38,000 --> 00:35:40,000
place some red eye in the building as always and we

1039
00:35:40,000 --> 00:35:42,000
see y'all next time peace